<conspiracyFile>FILENAME: INTRO-A
An INTRODUCTION to
<div> HYPERSPACE <div>
in
Your Everyday Life
WHERE IS HYPERSPACE?
<div> and <div>
HOW DO WE GET THERE FROM HERE?
<div>
THE Ancients imagined a timeless space beyond human
comprehension that they called Heaven, Hades, Valhalla, Gehenna,
<div> <div> <div> <div>
Limbo, Elysian Fields, Happy Hunting Grounds, each in his own
<div> <div> <div>
language. The mysterious supernal and infernal regions were
populated with gods and goddesses, devils and demons, angels and
fairies, ghosts and goblins, chimerae of every conception. On an
Olympian stage, the immortal spirits acted out the universal
human drama in myths teaching the meanings of life and death,
good and evil, morality and nemesis, until the advent of modern
science brought discredit to intangible realities.
Man does not live without myth. As the traditional morality
plays lose their power to rule men's minds, lively new myths are
composed to replace the dead. If the modern priests of science
refuse to address the problems of the human soul, the modern
poets of science-fiction will use the ken and cant of science to
answer spiritual needs for intangible ideals. Mentor and Merlin
are reincarnated as Obi Wan Kenobi and Yoda; as the last of the
Jedi Knights of a Round Table on some planetary Camelot, Luke
Skywalker draws a laser Excalibur from the Stone to wield The
Force on a cosmic odyssey. After running for centuries at
Olympus, followed by a century of full houses at Dodge City, the
spiritual epics are now playing in hyperspace.
<div>
Hyperspace is known to science only as a calculation of
pure, abstract mathematics. Physicists are unaware that they
are actually charting the tangible landmarks of hyperspace while
they plot the PSI factors defining the virtual state of the
<div>
quantum field. Like Moliere's BOURGEOIS GENTILHOMME, everyone
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lives in The Twilight Zone without knowing it. After reading
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this book, you will be able to recognize the landscape of
hyperspace in your everyday life. The immortal spirits are very
real entities, and God is alive and well on the street where you
live.
<div>
I I
I Creatures that drift I
I in the depths of the sea I
I are the very last I
I to discover the water. I
I<div>I
THIS thesis has grown over twenty-five years since I noticed
that the ceremonial KATAS of the ZEN martial arts express the
very same energy equations that physicists write in mathematical
notation. (SIDE-1) Once I discovered this key, I realized that
all forms of art are mathematical equations expressing
transformations of energy more subtle than brute strength. Works
of art are a special kind of physical machinery that projects
higher-dimensional structures into lower-dimensional spaces for
some convenience of perceiving. You can see the way art performs
this function by applying the rules of optical perspective to
represent a three-dimensional structure on a plane surface.
The most familiar kind of pictorial perspective presents the
appearance of its subject from but a single viewpoint. In order
to comprehend a solid structure in its entirety, it is necessary
to render it from as many aspects as are required to reveal all
of its structural details in their correct relationships to each
other; many tridimensional perspectives must be studied in order
to construct a conception of a hyperspacial entity.
The art of mathematics presents alternative aspects in the
form of tautological equations, each expressing the view from a
different frame of reference, such as a=lw, l=a/w, and w=a/l to
describe the two-dimensional structure of a square by one-
dimensional semantics. All the codices of mathematical equations
express different views of the single hyperspacial entity known
as the universe; our comprehension of the universal structure
<div>
is far from complete.
Artists have a vocation to express their perceptions of
hyperspacial realities from every point of view that man can
reach, at every different time that man can live in, to provide
us with handles on universal truths. All the myths and all the
religions present us with different pictures of the same
hyperspacial entity, and that entity is ourselves.
CLOSE THIS FILE
OPEN FILE "INTRO-C"
<div>
SIDE-1
Most lovers of literature know that "Gulliver's
Travels is a satire on the politics of Jonathan
Swift's time and place but did you realize that
"Alice In Wonderland" and "Through The Looking
Glass" are cryptic explorations of hyperspace?
Alice's adventures are a comic dramatization of the
very same protean confusions, instabilities,
fantasies, whimsies, cruelties, and self-
contradictions of the virtual state of the quantum
field that you are about to tour by way of a more
mathematical direction.
Lewis Carroll is the pen name of the Reverend
Charles Dodgson, a mathematician more competent
than he dared to reveal to his contemporaries, so
he became better known under his real name for
making sensitive photographs of pretty little girls
all bare naked with no clothes on.
<div>
I I
I Scientists and artists I
I are both mystics I
I competing in the myth business. I
I I
I The differences between them I
I are mainly a matter I
I of professional jargon. I
I<div>I
YOU are able to perceive voluminous space only because your
mind fuses the two different perspectives received by your two
eyes. *1
From one point of view, your inner eye sees merely plane
images. In order to perceive solid structures in voluminous
space, you must move around the subject under observation and
fuse an indefinite number of aspects from all sides. A cone,
for illustration, is seen as a circle in plan view, a triangle in
elevation, and various angles subtended by various arcs in all
other views. The solid structure of a cone is conceived only
after fusing all images in the mind. If your mind were not able
to construct this gestalt, you would be unable to recognize the
<div>
triangular aspect of the cone as having the same identity as the
circular aspect. (SIDE-1)
The ability to fuse an indefinite number of plane images
into a solid image in the mind is usually achieved during
childhood as we master language, so no one is aware of common
aberrations. As an example, few people saw the view from the top
until everyone travelled by air. Without flight experience, you
don't learn to fuse plan views of the landscape with the familiar
elevations; therefore, aerial photographs remain unintelligible
to most people. You would be surprised by the number of people
who cannot read blueprints because of their inability to fuse all
sectional drawings into a dynamic tridimensional gestalt. Cubism
is four-dimensional perspective; the art of Cubism makes no sense
to people who cannot analyze plural perspectives and recombine
them mentally to form a hyperspacial image of the pictorial
subject.
Since George Eastman provided everyone with a camera, we find
that most snapshots, like driver's IDs, can't be recognized by the
subject's mother. How is it possible for the camera (that cannot
lie) to produce unrecognizable portraits? From the infinite number
of views you see of your nearest and dearest, only a certain number
are selected for fusion into the mental image of the person you
identify. The zillions of other views are occulted from the visual
consciousness because they are insignificant or because the
differences are great enough to produce the painful condition of
cognitive dissonance that prevents fusion of disparate ideas.
<div>
Cognitive dissonance is produced by harmonic discord among
the vibrations defining ideas, images, and sounds. All
differences produce cognitive dissonance until discordant phases
are cancelled and the remaining vibrations are resolved into a
harmonically integrated gestalt in a higher dimension, like a
musical chord. Wave cancellation is the physical basis of the
concept of psychological repression established by Freud; these
wave mechanics also produce KARMA. (*2)
Interference between (mental) waves transforms them into
other frequencies so that objects are not perceived as they
really are, if they are not rendered altogether invisible as a
consequence of cognitive dissonance. Therefore, each person sees
and hears truly only those signals that are congruent with the
conceptual patterns already defining one's own mental structure;
all other perceptions are distorted and repressed, occulted
behind the Veils of Maja. (SIDE-2) At the bottom line,
intereference produces a pair of predominant patterns separated
by 180o of phase. As a result, reality is perceived to be
polarized between good and evil, black and white, strong and
weak, male and female, etc.
Just as only one side of a solid structure can be seen at a
time, without a mirror, only one phase of a hyperspacial
structure can be perceived directly at one time. It is natural,
therefore, to assign a unique identity to different phases that
exceed the observer's capacity for resolution into a single
gestalt. Virtue is not recognized as the front of vice, no light
is seen in darkness, and you have to know your TAO to find
strength in compliance. Union of complementary opposites
transforms them both into a structure of higher dimension. The
degree to which you can resolve polar opposites establishes the
dimensional scope of your Consciousness. An understanding of
hyperspace enables you to answer problems that defy all
philosophers limited to three-dimensional concepts; given
sufficient scope, you will even understand the opposite sex. (*3)
CLOSE THIS FILE
OPEN FILE "INTRO-D"
<div>
SIDE-1
Assigning different identities to
different aspects of the same structure is
most commonly experienced in interpersonal
relationships. During the initial rush of
love, all perceptions that trouble the purity
of the relationship is repressed. Admonitions
from friends and family to watch where you are
giving your heart are ignored as utterly
irrelevant to the paragon identified with all
the virtues of true love, and none of the
vices. When dissonant aspects of the loved one
appear from behind the Veils of Maja, they are
perceived to belong to another person, a
stranger in your home and a devil in your bed.
Unable to conceive that pleasure and pain
can come from the same parent, infants
perceive a good true-parent and a wicked step-
parent. Most people still cannot identify God
with the devil, nor can they perceive that
Heaven and hell are complementary aspects of
one real world.
<div>
SIDE-2
The Latin mind has no imprinted concept
of the English SCHWA sound. Without the mental
concept, the Latin ear cannot distinguish
between his and hees. The sound of big
--- <div> ---
activates the concept of beeg, and beeg is
<div> <div>
what the Latin mind hears. Likewise, the
Japanese mind has no imprint for the ell
---
sound; in the Japanese mind, the elle sound is
<div>
heard as arr.
---
Male and female mentalities are
imprinted with different concepts making it
physically impossible for the opposite sex to
receive the same message thatis sent.
Communication between sexes is like
communication between different species. No
matter how many times arguments are settled,
the very next argument is the very same
argument. Acquiescence is not agreement, but
resignation and tolerance of the
incomprehensible.
<div>
*1 If your mind is unable to fuse plural images, the brain
is confused, and all images but one are erased from your visual
Consciousness. The eye transmitting the voided image loses its
functional capacity. It may be speculated that other sense
organs also lose their function when their information is voided.
<div>
*2 If Freud studied physics before medicine, he wouldn't
have invented a square wheel in his theory of sexual
determinism. Psychology and psychiatry would be radically
different if a grounding in elementary physics were prerequisite.
These professions will soon be demolished and reconstructed by
the hard science of artificial intelligence.
The soft sciences are not soft by their very nature, but
because soft ideas attract people incapable of comprehending
hard, mathematical concepts, and once soft-heads populate a
profession, hard-heads move out of the neighbourhood. As a
consequence, the soft sciences degenerate into nonsense until
they become too impractical to hold their customers. If astrology
were not so soft-headed, actuaries would be calculating horoscopes
instead of statistics.
The essential difference between the hard-head and the soft-
head is concentration of mental focus. Whereas the hard-head
defines particulars, the soft-head senses the overview. Both
heads are half-wits if they cannot vary the scope of their focus
to integrate particulars with wholes to comprehend both at once
in a higher dimension of Consciousness.
<div>
*3
OOOOOOOOOOOOO\ The confusion prodiced by the
O\ O \ Necker cube is due to seeing the
O \OOOOOOOOOOOOO inside and the outside of a box
O O O O at the same time. When seen as a
O O O O plane image, a transparent cube
O O O O presents a different structure
OOOOOOOOOOOOO O from every point of view, and
\ O \ O except when seen in a plan or
\OOOOOOOOOOOOO elevation, no aspect resembles
the shape of an opaque box.
This is an object lesson in the difference between the structure
of an entity in hyperspace and the form it presents in a lower
dimensional space.
Since God is an Entity of utmost dimensional extent,
no man can look at a complete image of It in this lifetime ---
and that is the reason for the religious prohibition against
graven images. In order to preclude any manifestation of The God
That Is All That Is from being worshipped as the One Big I, The
First Commandment is engraved, "Thou shalt not hold any god
before Me." Anything less than God is the very devil, and the
devil grows more diabolical as it grows more Godly; the devil is
the Brightest Angel of them all.
The worship of anything less than God, no matter how Godly,
is Satanism; the good people of this world are far more
dangerous than the bad. You see, the only difference between bad
people and good people is that bad people say that all wars are
good, whereas good people say that some wars are good; both
sides agree that no war is bad unless it is lost. As the child
prays, "Dear God, please make all the bad people good and the
good people nice."
30
THE mind is able to fuse two visual images only when
there is practically no difference between them. Fusion of visual
images into a stereo gestalt becomes impossible if the two
perspectives differ by more than the interocular distance. In
other words, there is a limit to the amount of difference that
can be resolved without producing an identity crisis. (SIDE-1)
To illustrate, if your views of a cone were limited to the
extremes of plan and elevation, only extraordinary conditions and
mathematical calculation would enable you to realize that the two
mutually incommensurable figures were aspects of the same
identity in a higher dimension of space. Ordinarily, you are able
to relate one extreme view to the other extreme by innumerable
other viewing angles revealing the gradual transformation of the
circle into the triangle. Even after identifying the circle as
an allotropic aspect of the triangle, you would still be unable
to form the concept of a solid cone unless your mental space
were large enough to comprehend three dimensions; you would
believe that the conical structure alternates between a
circle and a triangle according to the viewing angle; it would
be the wave-particle paradox all over again.
On the atomic scale, hyperspacial rotations occur at such
speed that transition phases between extreme views cannot be
resolved within the temporal precision of the experiment. The
wave-particle dichotomy is refractory to scientific
comprehension not only because an electron flips between its two
phases faster than the instruments can follow, but also because
both wave packets and particles are three-dimensional concepts.
Mentally unable to comprehend ultratridimensional entities,
physicists identify different projections of one subatomic
particle as several new discoveries, and that is why there is no
end to the number of elementary particles.
At least four dimensions of space are required to fuse
several three-dimensional structures into a single identity in
the same place at the same time. The most highly respected
scientific authorities aver that it is impossible for any human
intellect to visualize space extending in more than three
dimensions. Nevertheless, your mind reveals the mathematical
parameters of four-dimensional hyperspace every time you fuse
more than one three-dimensional image into a gestalt. Look at
that, would you; like the atom, the inner space of your mind is
<div>
hyper! Hyperspace is as familiar to you as your own mental
<div>
concepts. How 'bout that, Dr. Einstein?
The science of physics is actually the physics of
perception. Your mind is a house of many mansions. Most people
never see the doors in the walls of their nurseries; they spend
their entire spiritual lives confined in the crib where they
were born, while they can only wonder about the sounds of family
activity that transpire dimly into their windowless
compartments. In these pages, you will read the construction
plans of your spiritual palace. Once you realize that the
barriers limiting your experience are merely partitions, you
will open the doors of your mind to explore the manifold halls
of self-knowledge. You may even leave your father's house to
make your way as a grown person in the big hyperworld outside.
Of course, it is dangerous out there, and not all who venture
return sound and successful, but that is what real life is all
about when play school is left behind. The physics of
consciousness is what this book is all about.
CLOSE THIS FILE
OPEN FILE "INTRO-E"
<div>
SIDE-1
The limits of identity provide a
universally practical principle for getting
what you want out of life -- especially if you
have to get what you want out of other people.
To wit, it is impossible to change anyone's
mind except by nicely graduated argument that
slowly turns the other's point of view to your
direction; if you argue too strongly, you only
provoke rage, denial, and repression of
everything you say. The TAO teaches that the
battle does not go to the strong, nor the race
to the swift, but to the gentle and the
patient; this is the true meaning of Jesus'
promise that the meek will inherit the Earth.
Beggars, flatterers, and cheaters take more
than workers, racers, and robbers.
<div>
I I
I It is not in our stars I
I that our troubles arise, I
I my dear reader, I
I but in our telescopes. I
I<div>I
FUSING disparate images depends upon the development of a
faculty for ignoring differences. The mind learns to ignore
differences by subsuming them to a common feature, such as
association of time, place, utility, or physical property. The
subsumption of ideas into abstract classifications is produced
by wave interference; and so, particular, individual differences
are repressed to the Unconscious as the mind grows from
perceptions limited to tangible sense data to comprehend
abstract concepts. (SIDE-1)
Plato wrote the original hyperspacial theory explaining
that each of the material bodies in this world is a
manifestation of an Ideal Form in Heaven. In modern mathematical
terms, Plato can be paraphrased to say that each individual
structure is a unique cross- section (or projection) of an
entity existing in a space of more than three dimensions,
intersecting with our tridimensional world. Plato conceived his
concept of Universal Form by the mental process of verbal
abstraction, and then with true philosophic backasswardness he
declared that the particular is derived from the abstract,
instead of the other way 'round; nevertheless, Plato is right.
Since Plato explained that all individual differences are
unique aspects of the ideal, and since wave interference is
proven to be the physical mechanism that subsumes differences
within the gestalt, the technical means for revealing a tangible
manifestation of the Ideal Form is self-evident. By
superimposing an indefinitely large number of individual images
of the same class of tangible manifestations, the individual
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wave-forms arrange themselves according to the principle of the
Conservation of Energy into a single, harmonically integrated
structure. Photographers will recognize this process as the way
to make a hologram. A hologram, therefore, is a tangible
<div>
hyperspacial structure. How 'bout that, Dr. Gamow?
A hologram looks like nothing so much as a compounded
vortex. A compound vortex is what a hyperspacial entity looks
like when it becomes manifest in its entirety as a tridimensional
form. When Cecil B. DeMille represented the God of Moses as a
vortex of light, he was revealing his Unconscious knowledge of
the platonic Ideal. (SIDE-2)
<div>
I I
I Beauty is the Beast I
I<div>I
CLOSE THIS FILE
OPEN FILE "INTRO-F"
<div>
SIDE-1
Children notice microscopic differences;
they inspect details minutely, and object to
the slightest change in their environment ---
especially food. Children lose their
preternatural discrimination of tangible
reality as they learn to speak, and everyone
spends the rest of his life trying to find the
original reality of the child, by way of
sensory excitement, philosophizing, religious
disciplines, and chemical keys to the Kingdom.
Childish minds that grow big without
growing up make a profession of details
without being able to realize their meaning in
a universal gestalt; they are favoured to
become scholars and authorities. Swelled heads
are illustrated by the learned philosophers
who argued about Adam's navel while remaining
incapable of questioning Adam's rib. But
however narrow their perspective, scholars
are broadminded enough to realize that it does
not profiteth a man in this life to gain the
whole world in one vision.
The joys of youth, and its bellicosity,
are the intense excitement produced by the
perception of differences. Conversely, most
of the normal depression which grows with age
is the result of losing discrimination so
that nothing new is perceived under the Sun.
The conventional wisdom believes that the
senses atrophy along with the thymus gland,
the gonads, and the digestive organs, to
produce ennui from lack of excitement.
Actually, the sense organs atrophy as
interest in differences is lost because of
terminal classificationosis. Your tour of duty
on this planet is done when you no longer find
any difference between one day and the next,
one season and the next, one person and
another, one sex and the other. VIVE LES
DIFFERENCES!
<div>
SIDE-2
Christ is the God of Man, variously
called The Son of God and The Son of Man. The
epithets of Christ mean that He is the
platonic Ideal of the human species, and each
of us is a unique manifestation of this
Universal Ideal Human Being.
A special kind of holographic portrait
of the Christ can be produced by superimposing
an indefinite number of life-size photographs
of people. This technical photography has
actually been done. In this process, the
superimposed waves do not produce a vortex;
instead, the wave interference pattern is
manifest like the superimposition of musical
notes to produce a predominant key tone. The
image resulting from this extraordinary
holographic process reveals an ineffably
beautiful human body of exquisitely perfect
proportions. Christ is quite simply the One
Perfect Human Being from Whom all mortals are
imperfectly projected.
Individuals possessing features
approximating the human average manifest some
of Christ's Divine Beauty, and that is why all
us mortals who deviate from the average are
moved to adore these paragons of pulchritude.
Unhappily, the instinct to deify the norm has
the necessary consequence of abhorring
deviation as the very devil.
The great truth revealed by this
photographic demonstration is not that good
looks are as good as God; the image of the
Perfect Human Being is composed of every one
of the ugliest and most deviant among us, as
well as the most beautiful freaks. Beauty
without ugliness is less than the whole
platonic Human Being, and anything less than
perfect is diabolical to the degree that
wholeness is lacking.
The youthful, female form divine tends
toward the average human proportions; the
elderly, male form is the ugly deviant.
Mortals who have seen the Christ Spirit
testify that His counten-nance is like an
unmarked youth with compassion that is learned
only through eons of suffering; His ugliness
radiates beauty.
The closer a nearly holy creature
approaches perfection, the greateris its power
for evil, and that is why Satan is the
Brightest Angel of them all, second only to
the Creator, Itself; the buck private's
mistakes will kill him, but the general's
mistakes kill everyone. Before damning the
practically good, execrating the almost true,
and abominating the compellingly beautiful as
Temptation, always remember and bear in mind
that Money is not Evil; it is the worship
<div>
of Money that possesses one's soul. We are
given beauty to enjoy while it lasts; the
mortal sin is worshipping beauty --- or any
other god that does not incorporate its
proper devil.
30
WORDS are ultraspacial structures created by abstracting
common features of significance while ignoring unique features.
Words amplify similarities and eliminate differences by wave
interference. Words are the product of fusing all the unique
images of several structures into an ultraspacial gestalt.
The gestalt represented by its abstract noun is not visible
to the material eye because it is a ultratridimensional physical
structure that is manifest to our Consciousness only as a form
of what we conceive to be mental energy, more rarified than
electromagnetic substance. A word is an image of an ultraspatial
mental Form; words are the very Ideas that Plato talked about.
The tridimensional material eye can see only a unique,
material example of the gestalt at any one time. In other words,
a gestalt exists as an extension of its material manifestations
in the form of a trajectory through time and space; to wit, a
<div> <div>
mental concept extends through no fewer than four dimensions.
(SIDE-1) The minds comprehends the dimensions of time; this is
why intelligence is identified with the sense of time. Abstract
verbal concepts are understood only as they can be comprehended
within the temporal dimensions of one's mind; a mind is perceived
to grow to the extent that it perceives precedents and
consequences. Athena is merely the god of intellect; the ruler of
consciousness is Kronus, the Overlord of Time and Change.
The nemesis of abstraction, as Korzybski pointed out, is
that the symbol becomes the reality, and the individual
differences in the real world are occulted behind the Veils of
Maja. As the focus of the mind shifts from the immediately
tangible world to verbal concepts, the mind becomes separated
from the body and both lose their health. Paradise is a myth
about a preverbal Consciousness, before men created words and
subsequently mistook the symbol (idol) for reality (God); the
Fall of Man and his Expulsion is the consequence of worshipping
verbally fashioned images. Philosophers pretend to lead us back
to reality on ways paved with more words of higher abstraction,
like devils promising to lead us to Heaven. If the devil is the
Father of Lies, words are surely the Mother.
Conscious mind is a creation of words. Therefore, no one in
his socially defined, right-thinking, right-handed mind can
perceive anything not previously defined by words. Experiments
have found that people lacking the words to describe subtle
colours are also unable to distinguish fine differences in hues,
but as soon as they are given the words to define the
differences between crimson, scarlet, and vermillion, for
example, they no longer see all reds as red. Poets expand the
common Consciousness by giving new meanings to old words and by
coining new words.
Words referring to abstract concepts are projections of
spiritual structures from hyperspace into our mental space.
We are unable to know the higher dimensions of the hyperspacial
universe we live in because our culture lacks the verbal
concepts for our minds to perceive what our eyes plainly see.
Although there is no way that you can learn to swim without
getting wet, reading is the most efficient way for you to
acquire the vocabulary of hyperspace that you need for your eyes
<div>
to open on the New Heaven and New Earth of hyperspace.
Hyperspacial vocabulary is what this book is all about.
Scientific knowledge is nothing but verbal knowledge, and
knowledge is the key to power; humanity is ruled by words. The
physical and mathematical principles that explain the material
world of three dimensions also control the manifestations of
hyperspacial energies; e.g., e=mc^2 opens the way to the high-
dimensional energies of the atom. Furthermore, the very forms in
which higher-dimensional energies are represented serve as a
handle for wielding the power. This is what magic, idols,
charms, amulets, spells, incantations, hexes, and prayers are
all about. (*1)
Artists, scientists, and mystics who glimpse spirits dimly
through the Veils of Maja limn a projection of the eternal
entities into the human dimensions of literature, theatre,
music, dance, architecture, engineering, philosophy,
mathematics, justice, politics, morality --- in a word, culture.
<div>
Like pictorial art, all cultural artifacts compress hyperspacial
structures into fewer dimensions so that ideas are represented
in more or less tangible forms. The form is the specialized
language of its poet and the meaning of the form is the essence
of the myth.
The difference between science and religion is the
difference between the quantified equations of mathematics and
the unquantified equations of metaphore. Those who cannot focus
their mental scope with sufficient precision to count must
guesstimate relationships by comparing superficial attributes to
derive meanings from their experiences. The errors of both
science and religion are produced by logical deductions made
from inherently faulty language, but the errors cannot be
perceived by people who mistake their words for real things and
their language for a real map. Philosophic disputes are word
wars; those who live by their words also die by their words.
The highest energies are manifest in the power of pure
thought, which mortals call God. Words are the coins of thought,
like money is minted power. It is the extraspacial power of the
human God expressed through the words of men that vouchsafes our
articulate species dominion over all the dumb beasts of the
field, and word power is the very Divine soul deficient in all
other planetary life. The extraspacial power of God expressed
through the word is attested in John 1:1, IN THE BEGINNING WAS
THE WORD AND THE WORD WAS WITH GOD, AND THE WORD WAS GOD.
<div> <div> --- ---
Parsing the language of hyperspace reveals the very diction,
syntax, and grammar of Creation, Itself.
CLOSE THIS FILE
OPEN FILE "INTRO-G"
<div>
SIDE-1
A trajectory is a mathematical and
physical reality that lacks tangible
substance, confounding all scientific
philosophers. A trajectory is a commonplace
example of a pure, objective thought form. A
<div>
compound vortex is an infinite trajectory
compressed in time until its entire extension
can be comprehended within a single view.
<div>
*1 The automobile is actually a mathematical idea
expressed in a material form, like an idol, that enables us to
use the power of gasoline for propulsion. No other idol possesses
its devotees so compellingly as the automobile, nor does any
other god demand such human sacrifice, not even Ares; the apple
of our modern Eden is a red sports car.
30
<div>
I I
I The sound of one hand clapping I
I is the echo I
I of your own praise I
I for your own beliefs I
I reflected from the wall I
I of an indifferent world, I
I and heard only by yourself. I
I<div>I
AS modern physics becomes mystical, "the ZEN of science" has
become a parlour cliche among the scientifically literate. ZEN
Masters penetrate the Veils of Maja cast by verbal logic to
apprehend reality by direct experience. (SIDE-1) Since they
eschew words, ZEN Masters write no books and preach no sermons.
ZEN disparages texts because no mathematical terminology existed
in its high and far-off times when the YOGAs were developed
empirically. (*2) Nevertheless the Masters knew a mathematical
language, and they used it to express their knowledge of
hyperspace. They composed their KATAs as mathematical equations
in the languages of art, music, chanting, dancing, theatre,
graphics, and architecture. The arts inspired with ZEN are
exquisitely measured. The Hyperspace Trilogy is a Rosetta Stone
translating the language of the ZEN arts into the language of
modern science. This book could be called The Physics of TAO.
The sage says, "Seek and ye will find. Ask and it will be
answered unto you." Scientists are fond of saying that their
business is discovering the right questions to ask. If
scientists weren't so cocksure that they knew everything there
is to know about their business, any lawyer could tell them how
to discover the right questions. The correct question is the
<div>
question to which you already know the answer. If you don't have
<div>
an immediate answer, you must know where to find it. No other
questions are of any use in the enterprise of deducing Nature's
secrets.
ZEN Masters are fond of answering disciples asking for
wisdom by a question called a KOAN. KOANs are believed to be
nonsense intended to confuse one's mind until a critical tension
precipitates a mystical insight. KOANs are not nonsense; they
are a special kind of question to which you already know the
answer, but you don't want to know you know because such
knowledge is self-knowledge; the most heinous crime of this
civilization is to be caught in possession of self-knowledge.
Self-knowledge, you see, is the special kind of knowledge that
releases a person from the KARMIC wheel of life and the rule of
Satan, however you conceive your devil. As soon as you answer
the KOAN, you are expelled from Plato's cave, and the game of
darkness is over. The Laughing Buddha in the heart of your
personal Lotus Blossum isn't ready to cash your chips because of
Enlightenment until damn good and ready. The mental crisis of
the KOAN is resolved by formulating a plausible answer that
satisfies the curiosity without actually taking the terminal
gaze into the brilliant Face of God. Psychoanalysts get
plausible answers from all their patients; the trouble with
psychoanalysis is that the entire science is nothing but a
plausible answer to estop its advertised purpose of self-
discovery.
All those posing unanswerable questions, or declaring that
their questions can't be answered are not in the business of
creating science, nor do they have any intention of informing
the public; their real purpose is obscuring knowledge and
confusing you in order that they may gain and hold their
advantage over you. Rhetorical questions take many forms, and
none are so beguiling as the scientific poser. Rhetoric
manipulates automatic psychological reflexes so as to make the
audience believe that the authority who cannot answer his own
questions knows something that his audience doesn't know. The
only thing he knows that you don't know is how to get well paid
for knowing nothing you don't know --- and telling you to your
face.
CLOSE THIS FILE
OPEN FILE "INTRO-H"
<div>
SIDE-1
ZEN defies comprehension by Europeans
for reasons similar to the incomprehensibility
of mathematics by broadly focussed minds. It
is simply impossible to describe the
essentially hard-headed precision of ZEN
practise by soft-headed language, and it is
just the softest of American heads that are
attracted to ZEN as an escape from
responsibility, rather than for love of
order. Like a symphony and a cathedral, ZEN
is pure mathematics with out words. ZEN is
the essence of art. (*1)
<div>
*1 I used to tease waitresses by ordering two fried
eggs, the first egg fried on one side and the second fried on the
other. Eventually I met a serving maid who gave me exactly what I
asked for. She sure shut my mouth. I wonder what she is doing,
now?
I've never met a ZEN freak who used KOANs to blow his mind.
They were all playing one upmanship on me, in the curious belief
that posing an unanswerable question made them superior. They
invested all their faith in the conviction that the KOAN can't be
answered logically, so they have something greater than reason
going for them. Children delight in playing with words to create
statements that are self-contradictory and impossible to realize;
it is a childish mind that believes unanswerable questions are
more significant than answers. When the KOAN is answered, like
drawing the Sword from the Stone, they not only lose their game,
but they also lose their faith. It satisfies their competitive
humility to proclaim they are stupid, but no one can be smarter
than their GURU, so they are wiped out when their GURU's bluff is
called.
<div>
*2 Every arcane study has devotees of vastly different degrees
of competence. Groupies preserve and preach all precepts
indiscriminately, because they don't know the difference between
genius and learned fools.
The moral is that everyone who believes he knows what's what
should write his solutions for world salvation. Sooner or later,
people will regard every recorded folly as inspired wisdom; it
could be yours.
30
FILENAME: INTRO-H
<div>
I I
I Like proverbs and all other legislation, I
I every scientific law and mathematical equation I
I is contradicted I
I by another scientific law and mathematical proof. I
I I
I Wisdom is a matter I
I of choosing the law I
I which satisfies your purpose. I
I<div>I
YOU will find nothing of theoretical importance in this
book that you don't already know; all you will find in this book
is innumerable different views of what you already know and
believe in different contexts. Since the TAO of "phasics" turns
everything into its opposite, you will find that everything you
believe is self-contradictory; nevertheless, PLUS CA CHANGE and
all that. How much of this book you will understand and believe
depends entirely on your ability to maintain mental focus on the
structural points of the subject so that you can hold its
identity as I change the perspective. By the time you finish
this book, you will realize that the entire universe is your own
self, turned around every which way and inside out.
This is not a scholarly thesis; it is not the product of
laboratory experiments, abstruse calculations, nor of library
research. Everything you will read in this book is derived from
observation of everyday, ordinary life. I shall introduce
cardinal cases with commonplace observations or some commonplace
facts and see what comes by way of some commonplace logic. As
you follow my line of reason, you will see that your common
sense leads to insights that are ignored and denied by
authorized versions of truth. Now, what do you do? Do you deny
your own senses and let authorities tell you what your life is
all about, or do you decide for yourself the basis of your facts
and take responsibility for making up your own mind?
Professional authorities are convinced that the public is too
stupid and ignorant to understand science, health, religion, and
politics, not to mention teaching your children. The authorities
have always condemned the Socratic dialogue as a corruption of
youth. You won't think you are so stupid and ignorant by the
time you finish reading this book.
It is just because this thesis is based on common
experience that you can satisfy yourself of its truth. If you do
not agree with me after checking my observations and facts
against your own, tell me about it. You may be right; we may
both be right from our respective points of view and frames of
reference. If you find me mistaken, this book will have served a
worthwhile purpose as an object lesson illustrating the ways
that observations are susceptible to misperceptions, common
facts are liable to be mistaken, and common sense can lead to
common delusion. You need only look at the continual revisions
of established scientific facts to see that the most highly
qualified experts are just as subject to changing views as the
rest of us --- which is why they should not be believed with
less question than you are expected to direct at this book. (*1)
The best advice your medical doctor will ever give you is
"seek a second opinion"; the advice is just as wise when you
attend doctors of philosophy.
During earlier years of my life while my livelihood
depended on orthodox beliefs, I refused to give a thought to any
of the ideas I am able to entertain now that my employer doesn't
care what science I believe, as long as I don't bad mouth his
politics (I work for the government, now). So do not suppose
that I have no sympathy for the authorities; I have believed
their doctrine for the same reasons they maintain their faith. I
use satire only to reduce the awe of authority that stultifies
people under oppressive doctrines. As you know, no one hates
smokers more than a quitter --- who longs for a drag.
The critical word in the previous sentence is oppressive.
<div>
As long as a doctrine is bigger than its believers, it opens
their minds to explore the vastness of its comprehension; no
believer is going to give up that space --- nor should anyone.
But when its believers outgrow their doctrine, it becomes
spiritually oppressive, and they seek a greater freedom. And so,
you see, no doctrine is inherently true or false; its truth
depends upon how well it fits the vital needs and the mental
stature of the people who believe it. Try this book on for size.
If it fits your head, give it a test run on your road of life;
if it cramps your style or rattles your chassis, you should have
learned by now that we have to kiss a lot of frogs before we
find our princes, and lick a lot of muddy feet before we find a
God that repays our belief with as much support as we give.
My comments on religions are not informed by scholarship
but merely reflect generally held conceptions that outsiders
entertain about creeds other than their own, like ethnic jokes
express one's perspective on foreigners. Outsiders perceive
meanings quite different from insiders. Confession, for example,
<div>
has an entirely different meaning for Romans than for other
people; you have to be a Catholic to experience it. Which is the
true meaning? It depends on whether you are looking from the
inside or the outside, doesn't it? Nevertheless, ethnic jokes
express human identities, values, and follies more acutely than
anthropological studies --- especially the identity, the values,
and the follies of the teller. Some pious people may not be able
to tolerate the respect I have for any church but theirs, nor
can they tolerate any mention of their obvious follies. I ask
you --- is a sense of humour and appreciation of the ludicrous a
gift of the devil? No soul could abide in a Heaven without
humour if hell holds all the fun. If I failed to offend anyone,
let me know and the next edition will treat you the same as
everyone else.
If you find this book intolerable, it is mainly because you
have not been exposed to this kind of ideas before. You will be
surprised at how inoffensive they will be the next time you have
an encounter of this challenging kind. The initial denial,
ridicule, and scepticism of Flying Saucer sightings gradually
changed to belief for no reason other than the persistence of
the reports for forty years; it doesn't matter that most of the
reports are not true, and UFO hysteria was composed by the media
to supply popular demand. If you haven't come here from
Buckminster Fuller, see how his "Synergetics 1 &amp; 2" grab you when
you go there from here.
Most people expect to understand a book on one reading; a
book baffling at first sight can't get a literary review. I
expect many readers to appreciate the insights into their
special interest and competence, but be lost through the pages
referring to other kinds of knowledge. You must realize,
however, that this book would have no reason for its existence
if it explained hyperspace from the mathematical view, alone ---
as all other books on this subject do. This is a synthesis of
many disciplines and philosophies; your mind must be capable of
fusing the concepts and languages of many arts, crafts, sports,
and sciences into a single gestalt in order to understand the
physical structure and manifestations of hyperspace in your
<div>
everyday life; this book is a holy scripture for the working
<div>
days of the week. Mathematics and metaphore, high philosophy and
vulgarity, are combined in the same paragraph, if not in the
same sentence, so that you may realize that all languages
express the very same truths. Thus, the believers of every faith
will find scientific substantiation of their religion in the
structure of hyperspace, and artists will find their common
identity with scientists in politics' strangest bed.
Mathematics, science, art, philosophy and religion cannot be
experienced in everyday life unless they are expressed as
everyday ideas in everyday language.
This book is as paradoxical as its subject. It is clear and
confused, profound and superficial, comic and tragic, ludicrous
and reverent, it has no single thread of reason but spreads a
tapestry, it is incoherent but an indivisible whole, it is fact
and fantasy --- with more truth in the fantasy than in the fact.
Writing it has been my KOAN; I composed it to be your KOAN.
There is at least one epiphany for every reader, but, like a
joke, you must be baffled to get it. This is a book for reading
many times between reflections on life because it yields
different meanings as you learn your living. Read it like a
Bible that can be understood only in parts, according to your
experience, intelligence, and wisdom --- and the number of
children you have raised --- especially the little darlings who
came with your second spouse.
Understanding hyperspace is nothing but the ability to
comprehend plural concepts, including polar opposites, within
the same gestalt. Not only have I written the text to reflect
the confusion of hyperspace, but I have also composed the format
to serve as your object lesson in comprehending multiple views
simultaneously. A magazine style should present no difficulty to
a generation brought up on split-screen movies, multi-media
light shows, and studying for academic exams while watching
television with a friendly friend of the opposite sex. After
reading the sidenotes to get the relevance, the logic is woven
by the continuous text. On the third run through, you may read
the footnotes without feeling interrupted.
Reading this book is somewhat like listening to a symphony;
on first hearing, it is noise. It is only after the structure
and the details have imprinted a gestalt in one's mind that
melodies and counterpoint can be heard as musical architecture.
The meaning of music is the gestalt; otherwise it is only notes;
the beautiful sensation of music is produced by experiencing the
energy of the gestalt amplified by harmonic resonance with each
note. Likewise, the meaning of this book is in its gestalt, a
synthesis of all its disparate parts in a higher dimension of
consciousness. Nevertheless, each page can also be fruitful
without further reference; this book offers something for
everyone at any time.
Once you are informed that lw=a, no further instruction is
required for you to realize that a/l=w and a/w=l; the three
equations express the very same structure. If you can only
memorize equations, however, they will always seem mutually
contradictory to you; lacking any intuitive understanding of why
lw=a, the only proof you have of its truth is that the wallpaper
fits the wall. As a consequence, Hitler was adequately trained
to cut wall paper, but his groupies are unable to calculate the
cost of deceptive packaging.
There is nothing in this book that is not self-evident from
elementary equations known to everyone before entering high
school. The only reason this book can be considered necessary
reading is to clear your mind of the rote thinking inculcated by
formal schooling. Formal education is determined to prohibit
everyone from relating facts into a whole body of knowledge that
inspires wisdom. Deprived of faculties for judgement, the public
is unable to understand what is really being done to them; thus,
everyone is forced to pay the professional establishment
exhorbitant fees for simple services everyone can do for himself
--- like filing divorce papers --- and rendered susceptible to
believing everything one is told, like perennial children.
Liberated women know exactly what I mean.
You don't learn about hyperspace so much as you grow into
<div> <div>
understanding as a consequence of mental/physical/spiritual
evolution, like you grow into walking, talking, and sexual
consciousness. Always remember and bear in mind that hyperspace
extends through more than three dimensions, so you must be able
to read construction plans easily before you can make sense of
this book. In short, hyperspace is not difficult to understand;
if its meaning does not develop like music after some
rumination, comprehension is simply impossible, so don't sweat it.
CLOSE THIS FILE
OPEN FILE "INTRO-I"
<div>
* I am impressed that the speakers at conferences are
determined to persuade their audiences to believe, not
criticize, and the audiences are seeking something to believe
rather than a mandate to exercise their judgement. Thus, both
parties waste the opportunty to learn something --- like, maybe
they are mistaken.
30
FILENAME: INTRO-I
<div>
I I
I The Hyperspace Trilogy I
I is a universal theory. I
I<div>I
"TIME TRAVEL --- The Secret Science of The UFOs " is the
first volume of a trilogy. This First Book puts you on The Yellow
Brick Road by way by studying some simple models illustrating how
familiar space is converted into familiar time by increasingly
<div> <div>
fine division and increasingly accelerated velocity. Once you
arrive in The Emerald City of hyperspace, you will learn how
higher dimensions are defined by the familiar measurements of
energy; i.e., frequency, phase, and amplitude. You will see how
the familiar physical fields of force known as nuclear,
electromagnetic, gravitic, sonic, and even life and mental
forces, constitute a scale of successively rarified hyperspacial
worlds manifest to our senses as pure energy. Hyperspace is
nothing but energy, and the geometry of hyperspace is nothing but
a mathematical plotting of the laws governing transformations of
energy.
"TIME TRAVEL --- THe Secret Science of The UFOs"
presents a graphic solution to the Unified Field Equations that
has defied the entire scientific world for a century. Unlike
e=mc^2, which could not be implemented without an army of the
world's most creative engineers funded by national treasuries,
e=mc^3 is within the economic capacity of a home workshop,
enabling free-enterprising Yankee know-how to open a new era of
peace and prosperity like the palmy days of Edison, Ford, Tesla,
the Wright Brothers, Tim Leary and Hugh Hefner. To the degree
that the experiments of Henry Moray, Thomas Townsend-Brown,
Bruce de Palma, and Pat Flanagan are as successful as they
claim, the first lights are already shining into the New Age.
Professional engineers will develop this Unified Field Theory to
technical details beyond the scope of this book --- not to
mention the competence of this author. After giving a
ringful of keys to several adventurers who would be kings, the rest
of this book will speculate on the probable design and
engineering of the Flying Saucers. Once we have some practicable
idea of how the Saucers operate, the possibilities of who builds
--- ---
them, where they come from, and what they are doing here are
<div> <div>
reduced to a practical argument.
The Second Book of Hyperspace, titled "LIVING CRYSTAL ---
The Philosopher's Stone", explains the theorems of hypergeometry,
providing inventive explorers with a mathematical foundation to
create new engines, sciences, and arts. The discovery of the New
World of Hyperspace will transform our civilization more
radically than the discovery of America. Like the early
explorers of this world found wealth, power, and fame, the
explorers of the New Reality on the other side of the universal
Klein Bottle will also found their empires and fortunes --- if
they manage to avoid the savage cannibals prowling the
hyperspacial jungles and the jealousy of the nobility when they
return with their finds to civilization --- you are better off
with the savages. Success could be yours, if you are young,
energetic, enterprising --- and if your spouse will support you
while you get your act together.
The theorems of hypergeometry actually describe the
properties of crystals, the quintessence of solid state physics.
<div>
Crystals provide the means for tapping the titanic energies of
hyperspace for human industry. By the time you read The Second
Book of Hyperspace, you will realize that the human body is
actually a living crystal, the most highly evolved crystal in
this world. Miracles are worked by holy men, such as Jesus,
when they learn to alter the crystal parameters of their bodies.
The Rock on which Christ built His Church is the very
<div>
Philosopher's Stone sought by alchemists throughout history;
<div>
like the Riddle of The Sphynx, Peter is the human body. The very
<div>
fact that the Philosopher King Arthur's Stone is sought indicates
that this hyperscience was known by prehistoric cabals; they are
probably still alive and herding the human livestock on this
lively little planet for their own benefit more than ours. Anyone
who trusts the shepherd when he comes bearing gifts has got to be
some kind of sheep.
"KARMA --- The Birth, Life, and Death of YOUR SOUL"
completes this trilogy. You will learn why some people are
healthy, wealthy, and wise, while others suffer various
deficiency diseases. Even love, marriage, and happiness are
determined by each person's position in hyperspace, commonly
plotted by astrologists. Just as modern science has already
opened hyperspace for trade and commerce without knowing what
they hath wrought, the spiritual dimensions of hyperspace are
all described in the world's religions without anyone knowing
what the great Teachers were really talking about. You will
realize the meaning of your life and your eternal soul by the
time you complete The Hyperspace Trilogy. (*1)
If I live long enough, the story of how I made all these
discoveries in the ZEN martial arts will be told when I finish
writing the first book I began, "FIERCE LOVE --- The Secret
of Spiritual Power in The ZEN MARTIAL ARTS".
The Flying Saucer is a challenge to science and politics. As
far as the millions of wonderersare concerned, however, the UFO
phenomenon is an essentially religious excitement, the secular
apotheosis of the Messiah. Unlike any other study, The Hyperspace
Trilogy responds to all public concerns by explaining the
technological, the political, and the religious mysteries
concurrently. This book is the beginning of a literary work
destined to be a seminal classic of the New Age, a text for
researchers, inventors, engineers, farmers and gardeners,
psychologists and psychiatrists, religious disciples, medical
doctors and interminably ill patients, politicians, advertisers,
artists, architects, athletes, science-fiction writers and
everyone who wants to know why people are such problems,
especially the people we love. You are not starting to read a
book but beginning a graduate university course of studies that
will change your perception more drastically than an O.D. ticket
on the SugarCube Express. The Hyperspace Trilogy is the kind of
study that enables its readers to fullfill their vocations to
become holistic teachers needed to lead people into the New Age.
CLOSE THIS FILE
OPEN FILE "INTRO-J"
<div>
*1 Everyone prays that "Thy will be done", and then prays that
"My will be done". We'll get one or the other, shan't we.
30
FILENAME: INTRO-J
<div>
I I
I Curiosity about hyperspace I
I is the mental forerunner I
I of our metamorphosis I
I into the Kingdom of Christ, I
I like curiosity about sex I
I is the forerunner I
I of sexual maturation. I
I People with no curiosity I
I about the higher dimensions of ther existence I
I are not yet ready for their Salvation. I
I I
I The direct perception I
I of our Divine Entity in hyperspace I
I is the spiritual destiny of every soul, I
I like parenthood is the destiny of most mortals. I
I<div>I
EVERY creature is born into this world instinct with all the
knowledge it needs to understand the meaning of its own life and
solve its problems without consulting professional authorities.
Rather than seek a teacher, you are better advised to find your
instincts; your Christ Consciousness is nothing but your higher
instincts. The little child sent to lead us is a symbol of our
<div>
instincts. The child will show you your way by the following
pentalogue. A real little blind child led me --- which just goes
to show that the blind can lead.
1. The Universe does not hide from Her Children.
The Truth is always in plain sight.
But the Truth is always subtle.
The Child must be perceptive.
2. The Universe does not deceive Her Children.
The Truth is always simple.
But the Truth is always comprehensive.
The Child must be responsible.
3. The Universe wants Her Children to know Right from Wrong.
The Truth always works.
The Truth works immediately.
The Truth works without effort.
The Truth is always gentle.
The Child must be practical.
4. The Universe wants Her Children to love life.
The Truth is always joyous.
But the Truth is always changing.
The Child must be reborn each day.
Rebirth is the other side of death's door.
5. The Universe is an Equal Opportunity Teacher.
She answers all who ask in commitment to the answer.
It's a wise Child that knows when to stop asking
questions.
It is a wiser parent that knows when to stop answering
them.
END OF INTRODUCTION GO TO CHAPTER 1
</conspiracyFile>