Hey all, my name is George Nicholas, an “award-winning” filmmaker and Monero enthusiast. You can see my IMDb profile here: https://www.imdb.com/name/nm11077440/
I’ve written and directed an independent, 38-minute live-action film titled MARK OF DISTINCTION. The film is in Spanish and English and was shot in Tijuana, Mexico in July of ‘22 on 16mm Kodak film. It features Monero, but is not focused on it -- it is inspired by real events and tells the story of a 16-year-old boy who gets recruited by the Mexican cartel to smuggle liquid meth across the border. The boy dies tragically at the hands of U.S. Customs and Border Protection, who ask him to drink the liquid to prove that it’s not drugs.
Government overreach and disregard for the rights of the individual is the reason I came to Monero and it is the reason I was driven to tell this story.
Monero is featured in 3 scenes – the protagonist, MANUEL, has found a physical Monero coin that his father had stashed away for him before his disappearance--
So, Manuel is carrying the coin around in his pocket like an idiot, not realizing what he has. His friend, RODOLFO, sees him trying to shove it down a slot machine, but thankfully the coin is too big to fit. Rodolfo explains to him what he has and Manuel’s eyes light up. Outside the bar, the two get beat up because of an earlier incident and the hooligans make off with Manuel’s scooter and his coin. Manuel gets his revenge and recovers the scooter, but not the coin. Rodolfo later finds the coin and tries to give it back to Manuel, but it is too late…
Monero represents the boy’s potential – the unrealized wealth that every individual carries within, requiring effort and special knowledge to unlock. The coin ends up with the person who understands its value, as often happens in real life.
I self-funded the shoot and post-production (the budget was in the low six figures), which exhausted my personal savings. We need funds for the most crucial phase – the release of the film. This includes getting it in front of festivals and promoting it there, hiring a publicist, running an awards campaign. All this costs money and I am coming to the Monero community for help.
The film has the chance of reaching hundreds of thousands and even millions of people. Not every viewer will become a Monero user, but they will all be exposed to Monero. The community will also receive an acknowledgement in the credits, to the effect of "this movie was kindly supported by the Monero community" with the Monero logo and getmonero.org underneath.
Monero already gets exposure in the media and some TV shows, but almost always as a Ransomcoin. This is a story that shows Monero being used in the way most of us use it -- as a savings vehicle that we can pass down to our loved ones.
With the community's help and the right release strategy, the film will play at major festivals across the world. Anytime the film plays, this will be an opportunity for an impromptu Monero meetup. Screenings can be publicized in the community beforehand to attract local Monero fans throughout the world.
I know we take the whole magic internet money thing seriously around here, which is why I love Monero. It is the reason no other coin was considered to take its place in the film. And I respect the more conservative view that the CCS should only be used to fund developer work. The number of undelivered, CCS-funded projects is dishearteninig, which is why I held off on asking for help until the film was actually made and ready to go.
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Monero has the best p2p cash characteristics of any coin, but we could do a better job of celebrating that. This film will give us an opportunity to rally behind a cause that almost all of us agree with -- the right of the individual to remain free from oppression, especially from governments. We can go to festivals together or follow from home, celebrate the wins and mourn the losses. Consider it an exercise in community-building.
Films under 40 minutes are considered live action short films by the Academy of Motion Picture Arts and Sciences. This is the category we're aiming for. There are two ways for a film to qualify:
1. The film must win an award at one of the ~130 Academy Award-qualifying festivals throughout the world:
Submission fees to these festivals are generally in the $50-$100 range, so that alone can eat up $10K.
2. The film must be publicly exhibited for paid admission in a movie theater in Los Angeles or New York City for
one week: https://www.oscars.org/sites/oscars/files/93aa_short_films.pdf
This is the cheaper option at about $3K, but films that qualify with a festival win are preferred by Academy voters, so we'll try the festival route first.
Once the film qualifies, the remaining funds will go towards hiring a publicist and running an awards campaign. Jim Dobson at Indie-PR has seen the film and loves it.
Another PR firm with extensive experience that has expressed interest is JJPR: http://joshuajasonpr.com/film-campaigns
I make no guarantees that we will win an Oscar or be nominated, but every industry professional who has seen the film thinks we have a good chance (and not just the publicists who stand to make money). We are taking this journey and I'd like the community to come along!
