First commit; braindump of all the resources I currently know about.
This commit is contained in:
Meitar Moscovitz
commit
b255c795f3
|
|
@ -0,0 +1,45 @@
|
|||
# Contribution Guidelines
|
||||
|
||||
**Your pull request should have a useful title. Please carefully read everything in [Adding to this list](#adding-to-this-list).**
|
||||
|
||||
## Table of Contents
|
||||
|
||||
- [Adding to this list](#adding-to-this-list)
|
||||
- [Creating your own awesome list](#creating-your-own-awesome-list)
|
||||
- [Adding something to an awesome list](#adding-something-to-an-awesome-list)
|
||||
- [Updating your Pull Request](#updating-your-pull-request)
|
||||
|
||||
## Adding to this list
|
||||
|
||||
Please ensure your pull request adheres to the following guidelines:
|
||||
|
||||
- Search previous suggestions before making a new one, as yours may be a duplicate.
|
||||
- Make sure the item you are adding is useful (and, you know, awesome) before submitting.
|
||||
- Make an individual pull request for each suggestion.
|
||||
- Use [title-casing](http://titlecapitalization.com) (AP style).
|
||||
- Use the following format: `[Item Name](link)`
|
||||
- Link additions should be added to the bottom of the relevant category.
|
||||
- New categories or improvements to the existing categorization are welcome.
|
||||
- Check your spelling and grammar.
|
||||
- Make sure your text editor is set to remove trailing whitespace.
|
||||
- The pull request and commit should have a useful title.
|
||||
- The body of your commit message should contain a link to the repository.
|
||||
|
||||
Thank you for your suggestions!
|
||||
|
||||
## Adding something to an awesome list
|
||||
|
||||
If you have something awesome to contribute to an awesome list, this is how you do it.
|
||||
|
||||
You'll need a [GitHub account](https://github.com/join)!
|
||||
|
||||
1. Access the awesome list's GitHub page. For example: https://github.com/sindresorhus/awesome
|
||||
2. Click on the `readme.md` file: 
|
||||
3. Now click on the edit icon. 
|
||||
4. You can start editing the text of the file in the in-browser editor. Make sure you follow guidelines above. You can use [GitHub Flavored Markdown](https://help.github.com/articles/github-flavored-markdown/). 
|
||||
5. Say why you're proposing the changes, and then click on "Propose file change". 
|
||||
6. Submit the [pull request](https://help.github.com/articles/using-pull-requests/)!
|
||||
|
||||
## Updating your Pull Request
|
||||
|
||||
Sometimes, a maintainer of this list will ask you to edit your Pull Request before it is included. This is normally due to spelling errors or because your PR didn't match the awesome-* list guidelines. [Here is a write up on how to change a Pull Request](https://github.com/RichardLitt/docs/blob/master/amending-a-commit-guide.md), and the different ways you can do that.
|
||||
|
|
@ -0,0 +1,116 @@
|
|||
CC0 1.0 Universal
|
||||
|
||||
Statement of Purpose
|
||||
|
||||
The laws of most jurisdictions throughout the world automatically confer
|
||||
exclusive Copyright and Related Rights (defined below) upon the creator and
|
||||
subsequent owner(s) (each and all, an "owner") of an original work of
|
||||
authorship and/or a database (each, a "Work").
|
||||
|
||||
Certain owners wish to permanently relinquish those rights to a Work for the
|
||||
purpose of contributing to a commons of creative, cultural and scientific
|
||||
works ("Commons") that the public can reliably and without fear of later
|
||||
claims of infringement build upon, modify, incorporate in other works, reuse
|
||||
and redistribute as freely as possible in any form whatsoever and for any
|
||||
purposes, including without limitation commercial purposes. These owners may
|
||||
contribute to the Commons to promote the ideal of a free culture and the
|
||||
further production of creative, cultural and scientific works, or to gain
|
||||
reputation or greater distribution for their Work in part through the use and
|
||||
efforts of others.
|
||||
|
||||
For these and/or other purposes and motivations, and without any expectation
|
||||
of additional consideration or compensation, the person associating CC0 with a
|
||||
Work (the "Affirmer"), to the extent that he or she is an owner of Copyright
|
||||
and Related Rights in the Work, voluntarily elects to apply CC0 to the Work
|
||||
and publicly distribute the Work under its terms, with knowledge of his or her
|
||||
Copyright and Related Rights in the Work and the meaning and intended legal
|
||||
effect of CC0 on those rights.
|
||||
|
||||
1. Copyright and Related Rights. A Work made available under CC0 may be
|
||||
protected by copyright and related or neighboring rights ("Copyright and
|
||||
Related Rights"). Copyright and Related Rights include, but are not limited
|
||||
to, the following:
|
||||
|
||||
i. the right to reproduce, adapt, distribute, perform, display, communicate,
|
||||
and translate a Work;
|
||||
|
||||
ii. moral rights retained by the original author(s) and/or performer(s);
|
||||
|
||||
iii. publicity and privacy rights pertaining to a person's image or likeness
|
||||
depicted in a Work;
|
||||
|
||||
iv. rights protecting against unfair competition in regards to a Work,
|
||||
subject to the limitations in paragraph 4(a), below;
|
||||
|
||||
v. rights protecting the extraction, dissemination, use and reuse of data in
|
||||
a Work;
|
||||
|
||||
vi. database rights (such as those arising under Directive 96/9/EC of the
|
||||
European Parliament and of the Council of 11 March 1996 on the legal
|
||||
protection of databases, and under any national implementation thereof,
|
||||
including any amended or successor version of such directive); and
|
||||
|
||||
vii. other similar, equivalent or corresponding rights throughout the world
|
||||
based on applicable law or treaty, and any national implementations thereof.
|
||||
|
||||
2. Waiver. To the greatest extent permitted by, but not in contravention of,
|
||||
applicable law, Affirmer hereby overtly, fully, permanently, irrevocably and
|
||||
unconditionally waives, abandons, and surrenders all of Affirmer's Copyright
|
||||
and Related Rights and associated claims and causes of action, whether now
|
||||
known or unknown (including existing as well as future claims and causes of
|
||||
action), in the Work (i) in all territories worldwide, (ii) for the maximum
|
||||
duration provided by applicable law or treaty (including future time
|
||||
extensions), (iii) in any current or future medium and for any number of
|
||||
copies, and (iv) for any purpose whatsoever, including without limitation
|
||||
commercial, advertising or promotional purposes (the "Waiver"). Affirmer makes
|
||||
the Waiver for the benefit of each member of the public at large and to the
|
||||
detriment of Affirmer's heirs and successors, fully intending that such Waiver
|
||||
shall not be subject to revocation, rescission, cancellation, termination, or
|
||||
any other legal or equitable action to disrupt the quiet enjoyment of the Work
|
||||
by the public as contemplated by Affirmer's express Statement of Purpose.
|
||||
|
||||
3. Public License Fallback. Should any part of the Waiver for any reason be
|
||||
judged legally invalid or ineffective under applicable law, then the Waiver
|
||||
shall be preserved to the maximum extent permitted taking into account
|
||||
Affirmer's express Statement of Purpose. In addition, to the extent the Waiver
|
||||
is so judged Affirmer hereby grants to each affected person a royalty-free,
|
||||
non transferable, non sublicensable, non exclusive, irrevocable and
|
||||
unconditional license to exercise Affirmer's Copyright and Related Rights in
|
||||
the Work (i) in all territories worldwide, (ii) for the maximum duration
|
||||
provided by applicable law or treaty (including future time extensions), (iii)
|
||||
in any current or future medium and for any number of copies, and (iv) for any
|
||||
purpose whatsoever, including without limitation commercial, advertising or
|
||||
promotional purposes (the "License"). The License shall be deemed effective as
|
||||
of the date CC0 was applied by Affirmer to the Work. Should any part of the
|
||||
License for any reason be judged legally invalid or ineffective under
|
||||
applicable law, such partial invalidity or ineffectiveness shall not
|
||||
invalidate the remainder of the License, and in such case Affirmer hereby
|
||||
affirms that he or she will not (i) exercise any of his or her remaining
|
||||
Copyright and Related Rights in the Work or (ii) assert any associated claims
|
||||
and causes of action with respect to the Work, in either case contrary to
|
||||
Affirmer's express Statement of Purpose.
|
||||
|
||||
4. Limitations and Disclaimers.
|
||||
|
||||
a. No trademark or patent rights held by Affirmer are waived, abandoned,
|
||||
surrendered, licensed or otherwise affected by this document.
|
||||
|
||||
b. Affirmer offers the Work as-is and makes no representations or warranties
|
||||
of any kind concerning the Work, express, implied, statutory or otherwise,
|
||||
including without limitation warranties of title, merchantability, fitness
|
||||
for a particular purpose, non infringement, or the absence of latent or
|
||||
other defects, accuracy, or the present or absence of errors, whether or not
|
||||
discoverable, all to the greatest extent permissible under applicable law.
|
||||
|
||||
c. Affirmer disclaims responsibility for clearing rights of other persons
|
||||
that may apply to the Work or any use thereof, including without limitation
|
||||
any person's Copyright and Related Rights in the Work. Further, Affirmer
|
||||
disclaims responsibility for obtaining any necessary consents, permissions
|
||||
or other rights required for any use of the Work.
|
||||
|
||||
d. Affirmer understands and acknowledges that Creative Commons is not a
|
||||
party to this document and has no duty or obligation with respect to this
|
||||
CC0 or use of the Work.
|
||||
|
||||
For more information, please see
|
||||
<http://creativecommons.org/publicdomain/zero/1.0/>
|
||||
|
|
@ -0,0 +1,51 @@
|
|||
> A curated list of awesome guides, tools, and other resources relating to the security and compromise of locks, safes, and keys.
|
||||
|
||||
[](https://github.com/sindresorhus/awesome)
|
||||
|
||||
If you want to contribute, you are highly encouraged to do so. Please read the [contribution guidelines](CONTRIBUTING.md).
|
||||
|
||||
# Table of Contents
|
||||
|
||||
* [Books](#books)
|
||||
* [Contests, conferences, and events](#contests-conferences-and-events)
|
||||
* [How-to guides](#how-to-guides)
|
||||
* [Locksport associations and organizations](#locksport-associations-and-organizations)
|
||||
* [Online communities](#online-communities)
|
||||
* [Vendors](#vendors)
|
||||
|
||||
# Books
|
||||
|
||||
* [Practical Lock Picking: A Physical Penetration Tester's Training Guide](https://www.amazon.com/Practical-Lock-Picking-Physical-Penetration/dp/1597496111/) - Detailed instructions and exercises designed for professional physical security specialists, consultants, and red teams.
|
||||
|
||||
# Contests, conferences, and events
|
||||
|
||||
* [Chaos Communications Congress (CCC)](https://www.ccc.de/) - CCC hosts the German Lockpicking Championships.
|
||||
* [DEF CON](https://defcon.org/) - An annual infosec industry conference which is popular with many lockpickers featuring a locksport contest.
|
||||
* [Hackers On Planet Earth (HOPE)](https://hope.net/) - An annual conference often featuring a locksport competition and presentations on physical security.
|
||||
|
||||
# How-to guides
|
||||
|
||||
* [Art of Lockpicking](https://art-of-lockpicking.com/) - Educational website with animations detailing the process of picking locks.
|
||||
* [Beginner's Guide to Security Pins](http://www.ninjacache.com/secpins_intro) - Short article guiding beginners comfortable with picking padlocks towards an understanding of more complex locks.
|
||||
* [Deviant Ollam's Lockpicking Video Presentations and Advisories](http://deviating.net/lockpicking/videos.html) - Collection of physec talks and locksport advice for all skill levels from a world-reknowned expert.
|
||||
* [Easy Pickings - Mini Lockpicking Manual](http://index-of.es/Lockpicking/Easy%20Pickings%20-%20Mini%20Lockpicking%20Manual.pdf) - A widely-distributed beginner's manual with diagrams showcasing how to pick various entry-level locks.
|
||||
* [MIT Lock Picking Guide](https://webunraveling.com/public/mit-lock-picking-guide/index.php) - A famous introductory text by Ted the Tool.
|
||||
* [Lockpicking Forensics](http://www.lockpickingforensics.com/) - A website "dedicated to the science and study of forensic locksmithing."
|
||||
|
||||
# Locksport associations and organizations
|
||||
|
||||
* [The Open Organization Of Lockpickers (TOOOL)](https://toool.org/) - Worldwide association of lockpickers with national, regional, and local chapters.
|
||||
* [Locksport International](http://locksport.com) - International association of lockpickers who offer help starting new locksport clubs and groups.
|
||||
|
||||
# Online communities
|
||||
|
||||
* [Keypicking.com](https://keypicking.com/) - A bustling online forum for the discussion of lockpicking and locksport.
|
||||
* [Lockpicking101.com](https://www.lockpicking101.com/) - One of the longest-running online communities "dedicated to the fun and ethical hobby of lock picking."
|
||||
* [LockWiki](http://lockwiki.com/) - A community-driven reference for both beginners and professionals in the security industry.
|
||||
* [/r/lockpicking Subreddit](https://www.reddit.com/r/lockpicking/) - A subreddit dedicated to the sport of lockpicking.
|
||||
|
||||
# Vendors
|
||||
|
||||
* [Safe Ventures, Inc.](http://safeventures.com/) - Retailer for safe-opening tools who also offer paid training courses.
|
||||
* [Southern Ordinance, Inc.](https://www.southord.com/) - SouthOrd® is a manufacturer of lock picks and professional locksmith tools; individual replacement picks as low as $1.50 USD.
|
||||
* [Southern Specialities](http://www.lockpicktools.com/) - Retailer of numerous lockpicking sets, pick guns, and more.
|
||||
Loading…
Reference in New Issue